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Eddie Davis Power Skulls (DVD) Product Description
Application: T-shirts, Custom Painting
Classification: E - Educational
Running time: 120 minutes
Format: DVD Region 0
Sleeve notes:
In this two-hour presentation, rising star Eddie Davis demonstrates how to render unrivalled skulls on any surface with amazing results. This course includes detailed anatomical descriptions, dynamic lighting techniques, micro airbrushing, how to electrify your image and much, much more.
You�ll learn:
Anest-Iwata LPH 80 for broad coverage on T-shirts
Iwata Eclipse BCS airbrush
Air pressures
How to use Wicked Transparent Base
Use of the Hix HT 400 heat press
Artograph�s Super Prism opaque projector
Use of black Sharpie pen for sketching onto fabric
How to transfer your artwork or reference onto a surface
Anatomy of a skull
Use of Wicked Colours
how to reduce your colours
Subtle shading
How to achieve light values of black
How to achieve a 3-D effect
Use of freehand shields
Building shapes
Specular highlights
how to build value
How to deal with tip dry
Working in your comfort zone
Micro airbrushing techniques
Tinting
Dynamic lighting
Colour shifts
Use of wax paper for advanced masking techniques
How to cut a mask on a T-shirt
Troubleshooting
Lightening fast coverage of any background
How to remove spray adhesive residue
How to render drop shadows
How to dry paint as you airbrush
How to add �glow� to your image
And tonnes more!
About the artist:
Currently Eddie Davis paints at Airbrush Headquarters in Destin, Florida, and lives in nearby Shalimar. Growing up in the 1970�s and 1980�s, Davis�s main influence came from Heavy Metal, Creepy, Eerie and Thrasher skateboarding magazines and The Savage Sword of Conan art.
�My sense of proportion and dynamic lighting came from trying to emulate great artists such as Richard Corben, Bernie Wrightson, Tim Vigil and Pushead. I always admired how they could use dark subject matter to convey emotion and a sense of presence and tension. For me the most profound and fun part of the whole artistic process is when you get to that place where the painting tells you what it wants and you�re just adding the colour and keeping it moving.�